The Resurrection Slot:
My ‘Dodgy Dossier’July 29th, 2003 | Articles General, Kulchur, Potemkinism and Camouflage, The Resurrection Slot
‘You can stress the community of the nation state without diminishing your internationalism’. I was, I suppose, quite pleased to have elicited that statement from Tony Blair. Yet I was also troubled. I had been invited to quote those words as Tony’s heartfelt own yet I had never met the man, never written to him, and never talked to him on the phone either. . .Download this article (PDF) »
Enthusiasms & Aversions:
Alan Yentob’s ‘Imagine’ or ‘Take this man off the telly’July 2nd, 2003 | Articles General, Aversions, Kulchur
One day in June 2003, the arts editor of the Guardian asked me to review the first three films in BBC1′s new arts strand ‘Imagine’. I watched them in dismay and wrote this piece. It was published on 2 July 2003. For the BBC’s reaction see ‘Who are you…’ under ‘Conversations with Patrick Wright’, pp. 26-8. Read article here»
Zaha Hadid in CincinnatiJune 6th, 2003 | Art & its applications, Articles General, Enthusiasms
On the opening of Zaha Hadid’s Center for Contemporary Art in Cincinnati, Ohio. Published as ‘Look what I built’, the Guardian, 2 July 2003, pp. 12-13. Read article here»
Mrs. Daphne Buxton creates twentieth century England’s first new commonSeptember 2nd, 1995 | Articles General, Englishness and British national identity, Enthusiasms
Rushall is a small Norfolk village, not far from a somewhat larger settlement named Dickleburgh. It has a church, some council housing built at a polite distance from the village proper, a few farms and a pub. There were airships here once, but today Rushall’s most historic site is a hedged meadow on the other side of the parish.
Beyond the wooden gate, which bears a notice about the village fete, an elderly lady is walking through long grass, pointing out various features as she goes. The man next to her stoops occasionally to pick up twigs, which he then holds in a curious, vaguely anthropological manner…
On the United Nations AssociationJuly 1st, 1995 | Articles General, Enthusiasms, War & peace
THE United Nations is not in good shape. Great hopes were entertained when the Berlin wall came down in 1989, but these have given way to global half-heartedness, evident in the caveats hedging tributes paid this week in San Francisco, where the UN Charter was signed 50 years ago.
The genocide in Rwanda contributed to this disillusionment – as did the impotent UNPROFOR tanks of Sarajevo, already called beached white whales several years before the Bosnian Serbs purloined some, thereby completing the humiliation. From Angola to Chechenia, the news mocks the UN’s pastoral symbolism of white doves crowding the sky…
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This England: The Stain on St George’s FlagAugust 18th, 1993 | Articles General, Aversions, Englishness and British national identity
‘Lord Taylor of Warwick’ is in trouble over his expenses, but what about this disgraced house-flipper’s claim to have fought racism in the course of his parliamentary career? Something nasty was certainly going on when he contested Cheltenham for the Tories in the early 1990s, as is revealed in this article – first published in the Guardian, 18 August 1993.
”YOU CAN walk into any branch of W H Smith and pick up a copy of This England. Launched from Grimsby in 1968, this ‘quarterly reflection of English Life’ has moved to Cheltenham and done well for Roy Faiers, its founder and editor.
The starting impulse was proudly provincial. As the publisher of six county magazines, Faiers reckoned that the time was right to project the same values at a national level. Convinced that parochialism was a virtue, he hoisted the flag of St George in his first issues: ‘Instead of politics, we shall bring you the poetry of the English countryside . . . Instead of bigotry, we shall portray the beauty of our towns and villages’”…
News & Previews:
Shrinking England? A Conversation with Will Self, 23 October 2012
Part of the Arts & Humanities Festival at King’s College London, this event is free, but places are limited to 250, Will’s new novel Umbrella is now shortlisted for the Booker, and booking is essential. Details
The Small Society: What Happens when England Shrinks?
We’ve heard a lot about the “Big Society” in recent years. Yet for centuries some of England’s most ardent defenders have been following the example of Shakespeare’s John of Gaunt, who famously praised England as a “little world” threatened by change and, perhaps, dissolution too…. I’ll be giving a lecture on this tendency towards miniaturisation on October 25th. It’s a public event organised as part of the Arts & Humanities Festival at King’s College London. It’s free but booking is necessary. Details
Iron Curtain on the Strand – a lecture about the London origins of a political metaphor that divided the world.
At 6.15pm on 5 December, I will be talking about the early history of the Iron Curtain, referring to both the Drury Lane Theatre and the Temple Church, just south of Fleet Street, as key locations in a forgotten drama. I will also be suggesting that the recovery of this early history, wholly forgotten in post-1946 understanding, represents a serious contribution to undertstanding international affairs as they have developed since the fall of the Berlin Wall – widely seen, by Blair, Bush, Rumsfeld and others, as the end of the story.
The event is at King’s College, on the Strand, and is organised as part of the “Strandlives” project. It’s free. but you are asked to RSVP at the address given on the poster or link.
Passport to Peking in the New Republic
Read Dominic Sandbrook’s review here»
A whole chapter on Ellis Smith in Moscow?
Michael Rank reviews Passport to Peking in Asia Times» As for Ellis Smith, seen above with Barbara Castle in Novosibirsk as they passed through in October 1954, well, I wondered too… But there was something about Salford’s slow-minded and exasperating “champion of the north”, and it stopped me from cutting him out altogether. His rambling speeches made everyone cringe, and not just because he kept praising Stalin and going on about the day, in 1927, when he saw a protesting Leon Trotsky chased out of Moscow’s Red Square by that rising “man of steel’s” bruisers. History is cruel, and hindsight even worse, but there will always be room for a loser or two in my books. And anyway, as Sam Hynes asks from Princeton, “where else but in England would you find such an innocent radical?”
Passport to Peking: a Very British Mission to Mao’s China
‘Is there a house of history to stand as neighbour beside Henry James’s house of fiction? If there is, Patrick Wright will have a window all to himself, glittering with different, intense and jewelled fragments: a John Piper or Robert Colquhoun of a window.’ (Fred Inglis, the Independent»)
”As ever with Wright’s work the sheer density of thought, allusion and fact is staggering – but what is more amazing is the deftness with which he spins from this a gossamer and entrancing narrative thread.’ (Will Self)
‘An exuberantly rich chronicle teeming with personalities, stories, encounters and ideas, filled with the strangeness and wonder of colliding worlds…’ (David Hayes, Books of the Year, Australian Policy Online)
’An impressive and unusual book… that succeeds by presenting a wonderful cast of characters set in a dimly remembered period… ‘ (Jonathan Fenby, Literary Review»)
A brilliant feat of research…The result is a tour de force, erudite, funny, endlessly revealing and generously illustrated. (John Keay, Times Literary Supplement )
On English vision and the ground beneath Llewelyn Powys’s feet, Hand Hotel, Llangollen, 21 August 2011
I’ll be speaking at the annual conference of the Powys Society, revisiting some of the themes of The Village that Died for England. Details, which are still in the process of formation, can be found here»
“Acerbic and fair-minded . . . social comedy with a rueful edge…” and “a reminder that there was a moment, before the sky darkened and the earth opened up, when the People’s Republic seemed full of possibility”.
From “Of Cabbages and Kings”, Journal of King’s English Literary Society” (King’s College London), Issue 6, December 2012.
Publication of the first images of the set for Danny Boyle’s opening extravaganza for the Olympics prompted me to write this article for Our Kingdom, published on 22 June 2012.
This article, co-written with Stephen Daniels, Patrick Keiller, Doreen Massey and Anderew Flintham, describes a collaborative project conducted under the Arts and Humanities Research Council’s “Landscape and Environment” programme. It was published in Tate Papers 17 on 11 May 2012. The main outcome was Keiller’s film “Robinson in Ruins”. For more information see here…
Art historian, wild mushroom hunter, curator, bee-keeper, independent film-maker – a few otherwise lost words about Timothy Neat: »
I spent part of last summer writing a long review of Timothy Neat’s two volume biography of Hamish Henderson, the poet and campaigner who made such a profound contribution to the Scottish folk revival in the 1950s and 1960s. The review appears in the London Review of Books, issue dated 3 November 2011.
I think it was in 1992 that I first met Emanuel Litvinoff. I had for some time been aware of his marvellous memoir of Jewish Whitechapel, Journey Through a Small Planet (1972), but I had never found a way of including a discussion of it in the book I was writing about East London at [...]
“The Thread” is a series of discussions run by the London Consortium on Resonance 104.4fm. This programme, entitled “How to Hide” and broadcast on 22 March, was presented by James Wilkes and took the form of a conversation with Sophie Nield, Synnove Fredericks and myself – about camouflage and related matters.
On Living in a World of Facades: from Prince Potemkin’s villages to the Berlin Wall, Iraq and the Truman Show »
A public lecture delivered at the Architectural Association in London on 8 February 2011.
Another reflection on the western travellers who crossed the Iron and Bamboo Curtains . . .
A letter published under the heading ‘Mirsky is mistaken’ in the Spectator on 11 December 2010.
‘On 1 October 1954, Sir Hugh Casson, the urbane professor of interior design who had been director of architecture at the Festival of Britain, found himself standing by the Tiananmen Gate in the ancient and still walled city of Peking…’ An article in the Guardian Review.